{ "@context": "http://iiif.io/api/presentation/3/context.json", "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json", "type": "Manifest", "label": { "en": [ "Documentary Evidence and Source Comparisons: Supplement 1 to Relational Archival Investigation — selected page images" ] }, "summary": { "en": [ "Selected PDF file pages 4 and 6 of 11 (printed pages 3 and 5). The complete published PDF retains the continuation of section C.3." ] }, "requiredStatement": { "label": { "en": [ "Attribution and rights" ] }, "value": { "en": [ "© 2026 Dorian Vale · Museum of One. In Copyright. Author-owned published research pages reproduced under the account holder’s explicit publication instruction. Existing copyright is preserved. Third-party passages retain their attributed sources; this permission does not authorize redistribution of institutional images, manuscripts or private correspondence." ] } }, "homepage": [ { "id": "https://archive.museumofone.art/evidence/rai-documentary-supplement-v1.html", "type": "Text", "label": { "en": [ "Permanent catalogue record" ] }, "format": "text/html" } ], "metadata": [ { "label": { "en": [ "Creator" ] }, "value": { "en": [ "Dorian Vale" ] } }, { "label": { "en": [ "Reference" ] }, "value": { "en": [ "10.5281/zenodo.24088574" ] } }, { "label": { "en": [ "Holding institution" ] }, "value": { "en": [ "Museum of One" ] } }, { "label": { "en": [ "Publication date" ] }, "value": { "en": [ "9 November 2026 · version 1.0" ] } }, { "label": { "en": [ "Document type" ] }, "value": { "en": [ "Published research document — selected pages" ] } }, { "label": { "en": [ "Selection and extent" ] }, "value": { "en": [ "Selected PDF file pages 4 and 6 of 11 (printed pages 3 and 5). The complete published PDF retains the continuation of section C.3." ] } } ], "items": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-04", "type": "Canvas", "label": { "en": [ "PDF page 4 · printed page 3" ] }, "height": 1871, "width": 1323, "items": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-04-painting", "type": "AnnotationPage", "items": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-04-image", "type": "Annotation", "motivation": "painting", "body": { "id": "https://archive.museumofone.art/assets/rai-archive/rai-documentary-supplement-v1-p04.png", "type": "Image", "format": "image/png", "height": 1871, "width": 1323 }, "target": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-04" } ] } ], "annotations": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-04-text", "type": "AnnotationPage", "items": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-04-text-annotation", "type": "Annotation", "motivation": "supplementing", "label": { "en": [ "Published page text — Reviewed extraction; original language retained" ] }, "body": { "type": "TextualBody", "value": "RAI · DOCUMENTARY EVIDENCE\nMUSEUM OF ONE\nRelational Archival Investigation · Supplement 1\n3\nEvidence that could extend the account. Dated installation photographs, original negatives, or a \nmaterial history could specify how the exhibited ensemble relates to the action and its later \nrealization. Such evidence would enlarge the account of particular components rather than \nautomatically alter the leading year.\nB.4. C-75 — Lee Kang-so, Painting–78–1\nSources. S-M01, entry 75; S-M75, web record 7924, management number 07911. Korean title: \n“페인팅-78-1.” Additional source S-T01 is the published conversation dated 14 October 2018 (Lee \n2018).\nRelevant statements. The report gives 1978 for a silent, single-channel colour video lasting 29 \nminutes 25 seconds. The collection entry gives 1977 and 30 minutes, associating its first \npresentation with the fourth Daegu Contemporary Art Festival in 1978.\nIdentification. Artist, distinctive title, medium, and the description of painting on glass before a \ncamera support the match. The differing durations are retained. They do not establish whether one \nentry is rounded or whether different transfers are described.\nTestimonial explanation. S-T01 identifies production in 1977 and presentation in 1978. The \nrelevant exchange begins with Cho Su-jin’s question about painting on a monitor screen; Lee \ndistinguishes the two dates and calls for correction of confusion in the record. The conversation is \ndated internally to 14 October 2018. A “2021” designation in the hosted filename is not substituted \nfor the conversation date.\nJudgment. An attributed production–presentation chronology is supported. The reason for the \nannual report’s assignment and the history of an institutional amendment remain separate \nquestions. Artist recollection is not treated as an acquisition-file record. The duration question \nremains unadjudicated because the recordings were not timed or compared.\nB.5. C-76 — Park Suk-won, Jeok–Eungnyeok\nSources. S-M01, entry 76; S-M76, web record 7925, management number 07912. Korean title: \n“적-응력.”\nRelevant statements. The report assigns 1974 in the production-year column. The collection date \nreads “1972(나무: 2016 재제작),” identifying 1972 and remaking of the wood in 2016. Its \nnarrative associates the work with the First Seoul Biennale in 1974.\nIdentification. The artist, Korean title, oil-on-cloth and wood, cloth dimensions of 332 × 358 cm, \nand four wooden elements provide substantial descriptive correspondence. No common \nmanagement number is printed in both witnesses. The comparison identifies the described work \nrather than certifying the uninterrupted identity of every material component.\nMeasurements. The report gives wooden elements of 64 × 25 × 26; 65.5 × 25.5 × 27; 61.5 × 25.4 \n× 25.4; and 63.5 × 25 × 25.1 cm. The collection entry gives the same cloth and first three \ncomponent measurements, with 63.5 × 25 × 25 cm for the last. The 0.1 cm difference is preserved.\nJudgment. The leading production-year assignments differ after remaking has been distinguished. \nThe identification is supported at the work-description level. Neither source establishes the correct \nproduction year independently, the cause of the difference, or the date of a catalogue amendment. \nSection C records the alternatives.\n", "format": "text/plain", "language": "en" }, "target": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-04" } ] } ] }, { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-06", "type": "Canvas", "label": { "en": [ "PDF page 6 · printed page 5" ] }, "height": 1871, "width": 1323, "items": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-06-painting", "type": "AnnotationPage", "items": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-06-image", "type": "Annotation", "motivation": "painting", "body": { "id": "https://archive.museumofone.art/assets/rai-archive/rai-documentary-supplement-v1-p06.png", "type": "Image", "format": "image/png", "height": 1871, "width": 1323 }, "target": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-06" } ] } ], "annotations": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-06-text", "type": "AnnotationPage", "items": [ { "id": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-06-text-annotation", "type": "Annotation", "motivation": "supplementing", "label": { "en": [ "Published page text — Reviewed extraction; original language retained" ] }, "body": { "type": "TextualBody", "value": "RAI · DOCUMENTARY EVIDENCE\nMUSEUM OF ONE\nRelational Archival Investigation · Supplement 1\n5\nC. The Jeok–Eungnyeok inquiry\nC.1. A comparison that remains warranted\nJ-P01 — identification. Retain the pairing in C-76 as a supported comparison of descriptions of \none work. Its grounds are the conjunction of artist, title, material arrangement, and dimensions. The \nremaking statement limits what the identification says about physical continuity.\nJ-P02 — documentary difference. Retain 1974 and 1972 as different leading production-year \nassignments. The separate 2016 date explains the later materials but leaves that contrast intact. The \nresult concerns the published descriptions, not yet the historical truth of either production year.\nHistorical consequence. A 1972 production date places the installation two years before its \nreported 1974 Seoul presentation. A 1974 date places production in the exhibition year. This is a \nconditional difference in the work’s chronology. No subsequent critical argument has been shown \nto have changed because of either institutional assignment.\nC.2. Alternative explanations\nH-P01 — different conventions. One description may use an exhibition-associated year and the \nother an earlier production year. The collection narrative supplies a relevant 1974 exhibition. The \nreport’s production-year heading means that an editorial convention or object-specific explanation \nis still required.\nH-P02 — correction. One assignment may correct a mistake. A dated worksheet, annotation, \ncuratorial account, or explicit testimony connecting the assignments would support that \nexplanation. No responsible person or motive is inferred from the differing years.\nH-P03 — different historical information. The compilers may have drawn on different testimony \nor documents. The relevant source and its connection to the assignment would have to be \nestablished. Later consultation is not evidence of better historical knowledge.\nH-P04 — related but distinct realizations. The records may concern differently identified \nrealizations despite their correspondences. That alternative is less persuasive at the level of the \nwork descriptions, but photographs or accession documentation could require reconsideration. The \nsmall measurement variation alone does not establish it.\nJ-P03 — explanation. Retain H-P01–H-P03 as open explanations of the assignments and H-P04 \nas a possible challenge to the scope of identification. The observed difference is not rewritten as a \ndocumented administrative amendment.\nC.3. The separately numbered 1973 work\nS-P03. Arts Council Korea, DA-Arts artist record 1172, work list and exhibition chronology. The \nwork list records “積(적)-응력2,” 1973, wood, 240 × 40 × 25 cm. The chronology also lists a 1974 \nMyeongdong Gallery solo exhibition without identifying the MMCA installation among its \nexhibits.\nJ-P04 — exclusion from the individual chronology. The numbered title, medium, and \ndimensions do not identify MMCA’s cloth-and-four-wood arrangement. The entry is relevant to a \nrelated series or practice, but it does not presently supply a third date for the same individual work.\nEvidence that could alter the account. A source explicitly connecting the 1973 work with the \nMMCA installation could establish a relation between them. That relation would need to be \nspecified before the year was transferred. A Myeongdong checklist or installation photograph could \n", "format": "text/plain", "language": "en" }, "target": "https://archive.museumofone.art/iiif/rai-documentary-supplement-v1/manifest.json#canvas-pdf-page-06" } ] } ] } ], "rights": "https://rightsstatements.org/vocab/InC/1.0/", "rendering": [ { "id": "https://www.museumofone.art/content/files/2026/11/02_RAI_Documentary_Supplement_Dorian_Vale.pdf", "type": "Text", "label": { "en": [ "Complete published PDF edition" ] }, "format": "application/pdf" } ] }