{"created": "2026-11-09T16:22:56.278445+00:00", "modified": "2026-11-09T17:02:09.853773+00:00", "id": 24088573, "conceptrecid": "24088571", "doi": "10.5281/zenodo.24088573", "conceptdoi": "10.5281/zenodo.24088571", "doi_url": "https://doi.org/10.5281/zenodo.24088573", "metadata": {"title": "Extended Case Studies and Methodological Demonstrations: Supplement 2 to Relational Archival Investigation", "doi": "10.5281/zenodo.24088573", "publication_date": "2026-11-09", "description": "

Four case studies in Korean experimental art examine how museum collections and art archives document titles, performances, photographs and installations. Seoul Museum of Art Archives records trace Kim Yong-Ik’s Flat Object title variants and distinguish Rim Dong Sik’s Tying Reeds and Beard action from later interventions in the photographic print. National Museum of Modern and Contemporary Art, Korea (MMCA), records place the photographic presentation of Sung Neung Kyung’s Reading Newspaper in the work’s early exhibition history. They also distinguish Kim Youngjin’s early single-monitor presentation of 1978–2 from the twelve-monitor arrangement at the 2016 Busan Biennale. The selected cases demonstrate how Relational Archival Investigation links artworks to specific occasions without merging their distinct documentary histories.

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\ud55c\uad6d\uc5b4 \ucd08\ub85d
\ud55c\uad6d \uc2e4\ud5d8\ubbf8\uc220\uc758 \uc791\ud488\uba85, \ud37c\ud3ec\uba3c\uc2a4, \uc0ac\uc9c4 \uae30\ub85d, \ube44\ub514\uc624 \uc124\uce58\ub97c \ub124 \uc0ac\ub840\ub85c \uc0b4\ud540\ub2e4. \uc11c\uc6b8\uc2dc\ub9bd \ubbf8\uc220\uc544\uce74\uc774\ube0c \uc790\ub8cc\ub97c \ud1b5\ud574 \uae40\uc6a9\uc775\uc758 \u3008\ud3c9\uba74 \uc624\ube0c\uc81c\u3009 \uba85\uce6d \ubcc0\uc774\uc640 \uc784\ub3d9\uc2dd\uc758 \u3008\uac08\ub300\uc640 \uc218\uc5fc \ubb36\uae30\u3009 \uc0ac\uc9c4\uc5d0 \uac00\ud574\uc9c4 \ud6c4\ub300\uc758 \uac1c\uc785\uc744 \uac80\ud1a0\ud55c\ub2e4. \uad6d\ub9bd\ud604\ub300\ubbf8\uc220\uad00 \uc18c\uc7a5\ud488 \uae30\ub85d\uc740 \uc131\ub2a5\uacbd\uc758 \u3008\uc2e0\ubb38 \uc77d\uae30\u3009\uac00 \ucd08\uae30\ubd80\ud130 \uc0ac\uc9c4\uc73c\ub85c \uc804\uc2dc\ub418\uc5c8\uc74c\uc744 \ubcf4\uc5ec \uc8fc\uba70, \uae40\uc601\uc9c4\uc758 \u30081978–2\u3009 \ucd08\uae30 \ub2e8\uc77c \ubaa8\ub2c8\ud130 \ubc1c\ud45c\uc640 2016\ub144 \ubd80\uc0b0\ube44\uc5d4\ub0a0\ub808\uc758 \uc5f4\ub450 \ubaa8\ub2c8\ud130 \uc124\uce58\ub97c \uad6c\ubd84\ud55c\ub2e4.

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Artists in this study
Kim Yong-Ik (\uae40\uc6a9\uc775; Kim Yong Ik) · Rim Dong Sik (\uc784\ub3d9\uc2dd; Rim Dongsik) · Sung Neung Kyung (\uc131\ub2a5\uacbd; Sung Neungkyung) · Kim Youngjin (\uae40\uc601\uc9c4; KIM Youngjin b, \uae40\uc601\uc9c4 b)

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Works discussed
Flat Object (\ud3c9\uba74 \uc624\ube0c\uc81c) · Tying Reeds and Beard (\uac08\ub300\uc640 \uc218\uc5fc \ubb36\uae30) · Reading Newspaper (\uc2e0\ubb38 \uc77d\uae30) · 1978–2

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Dorian Vale, Museum of One, 2026. ORCID 0009-0004-7737-5094. Version 1.0. © 2026 Dorian Vale · Museum of One.

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Author and publisher authority records
Dorian Vale | ORCID 0009-0004-7737-5094 | Wikidata Q136308916 | ISNI 0000000528819744 (publisher-attested)
Museum of One | Wikidata Q136308879 | ISNI 0000000528819728 (publisher-attested)

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