{"created": "2026-11-09T16:22:55.741666+00:00", "modified": "2026-11-09T17:02:09.093395+00:00", "id": 24088574, "conceptrecid": "24088572", "doi": "10.5281/zenodo.24088574", "conceptdoi": "10.5281/zenodo.24088572", "doi_url": "https://doi.org/10.5281/zenodo.24088574", "metadata": {"title": "Documentary Evidence and Source Comparisons: Supplement 1 to Relational Archival Investigation", "doi": "10.5281/zenodo.24088574", "publication_date": "2026-11-09", "description": "

The documentary supplement makes the evidence behind Relational Archival Investigation traceable for Korean art history and art archive research. It pairs acquisition entries 73–79 on printed pages 39–40 of the National Museum of Modern and Contemporary Art, Korea (MMCA), 2016 Annual Report with collection records 7922–7928, management numbers 07909–07915. It records agreements, discrepancies and unresolved comparisons. It documents Lee Kang-so’s Untitled 75031 and its 1975 Paris Biennale chronology, Park Suk-won’s Jeok–Eungnyeok, Sung Neung Kyung’s newspaper works and Kim Youngjin’s video and installation records. Additional sections identify Seoul Museum of Art Archives records for Kim Yong-Ik and Rim Dong Sik. Record IDs, selected excerpts, paraphrases and attribution make the judgments auditable. The seven-entry block was selected retrospectively and is a bounded comparison.

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\ud55c\uad6d\uc5b4 \ucd08\ub85d
\ud55c\uad6d \uc2e4\ud5d8\ubbf8\uc220\uc758 \uc0ac\ub8cc \ub300\uc870\ub97c \uc704\ud55c \uc790\ub8cc\ud3b8\uc774\ub2e4. \uad6d\ub9bd\ud604\ub300\ubbf8\uc220\uad00\uc758 2016\ub144 \uc5f0\ubcf4 \uc218\uc9d1 \ubaa9\ub85d 73–79\ubc88\uacfc \uc18c\uc7a5\ud488 \uae30\ub85d 7922–7928(\uad00\ub9ac\ubc88\ud638 07909–07915)\uc744 \ud56d\ubaa9\ubcc4\ub85c \ub300\uc870\ud55c\ub2e4. \uc774\uac15\uc18c\uc758 \u3008\ubb34\uc81c 75031\u3009\uacfc \ud30c\ub9ac\ube44\uc5d4\ub0a0\ub808, \ubc15\uc11d\uc6d0\uc758 \u3008\uc801-\uc751\ub825\u3009, \uc131\ub2a5\uacbd\uc758 \uc2e0\ubb38 \uc791\uc5c5, \uae40\uc601\uc9c4\uc758 \ube44\ub514\uc624 \uc124\uce58\ub97c \ub2e4\ub8ec\ub2e4. \uc11c\uc6b8\uc2dc\ub9bd \ubbf8\uc220\uc544\uce74\uc774\ube0c\uc758 \uae40\uc6a9\uc775·\uc784\ub3d9\uc2dd \uc790\ub8cc\ub3c4 \uae30\ub85d \ubc88\ud638\uc640 \ucd9c\ucc98\ub97c \ubc1d\ud600 \uc81c\uc2dc\ud55c\ub2e4.

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Artists in this study
Lee Kang-so (\uc774\uac15\uc18c; Lee Kangso, Lee Kang So) · Park Suk-won (\ubc15\uc11d\uc6d0; Park Suk Won) · Sung Neung Kyung (\uc131\ub2a5\uacbd; Sung Neungkyung) · Kim Youngjin (\uae40\uc601\uc9c4; KIM Youngjin b, \uae40\uc601\uc9c4 b) · Kim Yong-Ik (\uae40\uc6a9\uc775; Kim Yong Ik) · Rim Dong Sik (\uc784\ub3d9\uc2dd; Rim Dongsik)

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Works discussed
Untitled 75031 (\ubb34\uc81c 75031) · Painting (Event 77–2) (\ud398\uc778\ud305 (\uc774\ubca4\ud2b8 77-2)) · Painting–78–1 (\ud398\uc778\ud305-78-1) · Jeok–Eungnyeok (\uc801-\uc751\ub825) · Eight Pages of Newspaper (8\uba74\uc758 \uc2e0\ubb38) · Reading Newspaper (\uc2e0\ubb38 \uc77d\uae30) · 1978–10–2 · 1978–2 · Flat Object (\ud3c9\uba74 \uc624\ube0c\uc81c) · Tying Reeds and Beard (\uac08\ub300\uc640 \uc218\uc5fc \ubb36\uae30)

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Dorian Vale, Museum of One, 2026. ORCID 0009-0004-7737-5094. Version 1.0. © 2026 Dorian Vale · Museum of One.

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Author and publisher authority records
Dorian Vale | ORCID 0009-0004-7737-5094 | Wikidata Q136308916 | ISNI 0000000528819744 (publisher-attested)
Museum of One | Wikidata Q136308879 | ISNI 0000000528819728 (publisher-attested)

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