
Volume I — The Foundational Essays
Collected foundational writings introducing Post-Interpretive Criticism through doctrines, theoretical propositions, and applications concerned with restraint, presence, and witnessing.
Dorian Vale · 2026
Book
Digital Archive LibraryMuseum of One / Source-linked catalogueThree editorial paths through the selected catalogue. These local groupings aid discovery; they are not claimed as original Zenodo collections.
Book-length studies and collected journal volumes, with edition-specific identifiers and repository access.
4 catalogue records
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Collected foundational writings introducing Post-Interpretive Criticism through doctrines, theoretical propositions, and applications concerned with restraint, presence, and witnessing.
Dorian Vale · 2026
Book

A collection connecting Post-Interpretive Criticism with encounters with artworks and practical exercises in viewing and writing. The deposited description distinguishes canonical essays from pedagogical texts.
Dorian Vale · 2025
Book
Texts examining presence, absence, critical language, and the ethics of interpretation.
5 catalogue records
Explore this collection ↗An operational manual for applying the diagnostic indices of Post-Interpretive Criticism across coding, comparative study, and self-audit. Procedures for testing agreement are distinct from completed reliability findings.
Dorian Vale · 2026
Dataset
An early theoretical essay that questions the assumption that interpretation provides a neutral foundation for aesthetic meaning, proposing instead that mediation carries ethical consequences.
Dorian Vale · 2025
Journal article
Critical essays and research studies that bring the framework into contact with art and its contexts.
7 catalogue records
Explore this collection ↗Research Working Paper No. 2 distinguishes title correction, later identification, and the circulation of catalogue descriptions through a study of Simon Maris’s portrait Isabella and its repository records.
Dorian Vale · 2026
Working paper
Research Working Paper No. 1 examines when exhibition and documentary evidence requires an art-historical account to limit or revise its claims, with particular attention to postwar Japanese art and Shiraga Kazuo.
Dorian Vale · 2026
Working paper