Alexander Viktorovich Markov
The source records scholarly correspondence and a critical response. It explicitly states that Markov is not a coauthor and that this is not formal peer review or agreement with every proposal.
Digital Archive LibraryMuseum of One / Source-linked catalogueFollow authors, artists, scholars, curators and publishers through the selected catalogue.
These local contextual records connect the publications and their subjects. Relationships are attributed to linked sources. Artwork and exhibition records describe subjects of research; they are not collection holdings or accessioned objects.
The source records scholarly correspondence and a critical response. It explicitly states that Markov is not a coauthor and that this is not formal peer review or agreement with every proposal.
The essay discusses the Silueta Series.
The essay discusses The Class.
The essay discusses Reserve of Dead Swiss.
Author of the selected publications in this catalogue.
The essay discusses Atrabiliarios as a case of the continuing effect of an encounter.
The essay studies the Man’s Cloth series and captions Old Man’s Cloth.
The essay explicitly names Expanded Expansion and its materials.
The essay discusses “Untitled” (Portrait of Ross in L.A.).
The essay connects Szeemann with When Attitudes Become Form; this is critical discussion, not an institutional affiliation.
The essay studies Sharif’s Objects and captions Shopping Bags and Plastic Funnel and Aluminium Foil.
The essay discusses the performance The Artist Is Present.
Publishing institution and source of contextual publication records for this selected archive.
The abstract identifies Kunimoto’s analysis as scholarship read alongside Tomii’s work; no coauthorship is asserted.
The essay connects Enwezor with Documenta 11; this is critical discussion, not an institutional affiliation.
The paper engages Tomii’s scholarship and records discussion and feedback. The source explicitly states that Tomii is not a coauthor and that no blanket endorsement or formal peer review is implied.
The abstract identifies Shiraga Kazuo’s Challenging Mud as the principal case.
The abstract identifies Simon Maris as the artist of the portrait now titled Isabella.
The essay discusses En el aire.
The essay discusses Home Is a Foreign Place.