The Journal of Post-Interpretive Criticism
Open-access serial published by Museum of One Press, with numbered volumes, founder-led editorial review, and work-specific publication and rights records.
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Credited website creators
Dorian Vale (Credited website author)
Rights and access
This is a stored copy of a public website publication, captured under the website owner’s archive instruction. Original source rights, image credits, citations and third-party exclusions remain applicable. Public access does not grant a new licence. External embeds and unpreserved files are explicitly identified below. Interactive source is retained as an inert HTML download; a live software environment is not guaranteed.
Source feature-image credit
Jan Lievens, Still Life with Books, c. 1628–c. 1632. Rijksmuseum, SK-A-4090. Public domain.Published content
The Journal of Post-Interpretive Criticism is an open-access serial published by Museum of One through the Museum of One Press imprint. It publishes theoretical essays, research documents, applied criticism, and edited exchanges concerned with Post-Interpretive Criticism and adjacent questions in aesthetics.
The Journal is published irregularly rather than on a fixed issue calendar. Its numbered volumes are editorially assembled releases within the serial. The ISSN identifies the continuing journal; an ISBN identifies a particular book-format volume edition; a DOI identifies a specific repository release or version. Separately issued Museum of One Press books are listed in the Publication Register and are not journal volumes unless their own record says so.
Editorial arrangements and review
Editorial selection, editing, production, metadata, and corrections are currently handled by Dorian Vale, the publishing name of Tarique, for Museum of One Press. Dialogues and contributed exchanges are published with the knowledge or approval of their named participants.
The Journal does not currently operate a standing anonymous or external peer-review system. Unless an individual publication states otherwise, work is editorially reviewed rather than formally peer reviewed. Review includes factual and bibliographic consistency, source and quotation checks, contributor descriptions, rights and image credits, identifiers, and version information. Repository deposits, catalogue records, and indexing services improve preservation or discoverability; they do not constitute peer review or endorsement.
Published volumes
Volume I: Post-Interpretive Criticism: The Foundational Essays
Author: Dorian Vale
ISBN: 978-1-0698203-0-3
Serial: The Journal of Post-Interpretive Criticism, ISSN 2819-7232
Publisher: Museum of One, Canada; Museum of One Press imprint
This volume gathers the foundational doctrines, theoretical proposals, and applications of Post-Interpretive Criticism, including work on restraint, presence, and the responsibility of criticism.
Repository release and download, Zenodo · Volume I record
Volume II: Post-Interpretive Criticism: Essays from the Field
Dorian Vale, Post-Interpretive Criticism: Volume II, Essays from the Field, cover — image at source
Author: Dorian Vale
ISBN: 978-1-0698203-1-0
Serial: The Journal of Post-Interpretive Criticism, ISSN 2819-7232
Publisher: Museum of One, Canada; Museum of One Press imprint
Volume II applies the framework through critical encounters with artists and works, including Araya Rasdjarmrearnsook, Kimsooja, Doris Salcedo, and Hiwa K.
Repository release and download, Zenodo · Volume II record
Volume III: Post-Interpretive Criticism: Canon of Witnesses
Dorian Vale, Post-Interpretive Criticism: Volume III, Canon of Witnesses, cover — image at source
Subtitle: Fieldwork in Post-Interpretive Criticism
Author: Dorian Vale
ISBN: 978-1-0698203-2-7
Serial: The Journal of Post-Interpretive Criticism, ISSN 2819-7232
Publisher: Museum of One, Canada; Museum of One Press imprint
Volume III gathers twelve essays organized as applications of Post-Interpretive Criticism. The collection examines witnessing, restraint, and the ethical limits of critical language through individual encounters with artists’ practices.
Repository release and download, Zenodo · Volume III record
Publication records, rights, and corrections
The Journal’s serial identifier is ISSN 2819-7232. Its serial catalogue record is OCLC 1545514536, and its authority record is Wikidata Q136530009. Individual books, editions, and articles retain their own identifiers.
Original publication dates and later repository release or revision dates are distinct. The linked edition and repository record should be consulted for the date and version being cited. Cover designs and catalogue titles may differ; specific discrepancies are noted beside the relevant volume.
Reuse is governed by the licence stated on the individual work or edition. Copyright in third-party images or other material remains subject to its own rights notice. A site-level copyright statement does not override a work-level licence.
The Ethical Charter sets out research, editorial, attribution, access, and correction principles. Publisher details appear in the Publisher Imprint. Publication and correction enquiries: research@museumofone.art.
Selected writing
- Canon of Witnesses: Araya Rasdjarmrearnsook
- On Christian Boltanski and the Rituals of Loss
- On Yoko Ono and the Violence of Interpretation
- On Agnus by Konstantin Korobov (2022)
- On Clouded Water: The Changing of Kok River
- The Cult of the Medium – When Process Becomes Propaganda
- Duchamp Made the First Cut: This Is the Second
See the Publication Register for separately issued books and the Dialogues for published exchanges.
Editorial revision: 14 October 2026.
Files, images and media
- Dorian Vale, Post-Interpretive Criticism, Volume I cover: Collected Doctrines, Treaties, Theories, and Applicationlocal archival file · availablePublic site-uploaded asset captured under the site owner’s archive instruction. Original rights, credits and third-party exceptions remain applicable; no new licence is granted.438299 bytes · SHA-256 d3e2fae4562ee1c1c160ca7fbbdba001d43b95342d62e7b1b8dc397cead30ee5

- Dorian Vale, Post-Interpretive Criticism: Volume II, Essays from the Field, coverlocal archival file · availablePublic site-uploaded asset captured under the site owner’s archive instruction. Original rights, credits and third-party exceptions remain applicable; no new licence is granted.2299474 bytes · SHA-256 40070d74ea89e02ff4bf16c476779387ada02099ae054f7301db65102db6359b

- Dorian Vale, Post-Interpretive Criticism: Volume III, Canon of Witnesses, coverlocal archival file · availablePublic site-uploaded asset captured under the site owner’s archive instruction. Original rights, credits and third-party exceptions remain applicable; no new licence is granted.1746308 bytes · SHA-256 73f1900b7e955314a0480f60b60fa52836d460414fbe588b8ff021d55813ca8e

- Jan Lievens, Still Life with Bookslocal archival file · availablePublic site-uploaded asset captured under the site owner’s archive instruction. Original rights, credits and third-party exceptions remain applicable; no new licence is granted.198509 bytes · SHA-256 3403e5087b51919e90c2362dc2b0d2b94f172b6eb78f103276ef9acb5d7fa1fc

Source-declared metadata
Transcribed declarations retain their source scope. Identifiers are not promoted to independently verified edition assignments.
Source content SHA-256: 8af56ca7ee483723ee2d183c6bed5257be554650f66a1da39a4da4e4fa32adc9
Fields requiring qualification
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